3D Printing and Copyright Law With the development of 3D scanners and printers, anyone who has access to this technology can accurately reproduce objects found in the real world. This has many far-reaching implications, some of which could lead to greater innovation, others which could lead to a whole new host of problems. In this series, we will explore the copyright implications of 3D printing as designers, end users, and lawyers try to sort out the many legal implications of 3D printing and copyright law. The Penrose Triangle For the first installment, we will discuss the interesting case of Ulrich Schwanitz and The Penrose Triangle. To get to the root of this tale, we have to go all the way back to 1934 when artist Oscar Reutersvard drew the first-known Penrose Triangle. Referred to as an “impossible figure,” the Penrose Triangle connects on each side at a right-angle. For decades, this optical illusion was confined to drawings on flat surface and was thought impossible to reproduce in 3D space. That is, until Ulrich Schwanitz, a designer based out of the Netherlands, purportedly solved the problem. Rather than explaining how he solved the puzzle, Schwanitz simply included a YouTube video showing his design. The model was put up for sale on the Shapeways website for around $70. Now, this is where it really gets interesting. Along came Artus Tchoukanov who had formerly been an intern at Shapeways. Tchoukanov was able to watch the above video and figure out how Schwanitz had created his design. Tchoukanov then went to Thingiverse, a 3D printing community that actively encourages the free and open...